Negative, Nonsensical, and Non-Conformist

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation film...

Celý popis

Podrobná bibliografie

Hlavní autor:	Yacavone, Peter A.
Médium:	Online
Jazyk:	angličtina
Vydáno:	University of Michigan Press 2023
Témata:	Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinema thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
On-line přístup:	https://library.oapen.org/handle/20.500.12657/62926
Tagy:	Přidat tag Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!