Negative, Nonsensical, and Non-Conformist

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation film...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Yacavone, Peter A.
Format:	Online
Sprache:	Englisch
Veröffentlicht:	University of Michigan Press 2023
Schlagworte:	Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinema thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
Online-Zugang:	https://library.oapen.org/handle/20.500.12657/62926
Tags:	Tag hinzufügen Keine Tags, Fügen Sie das erste Tag hinzu!