Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze

In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, t...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Méndez Baiges, Maite
Format:	Online
Sprache:	Englisch
Veröffentlicht:	Firenze University Press 2022
Schlagworte:	Modernism Demoiselles d'Avignon Postcolonialism Feminism Global History of Art thema EDItEUR::A The Arts
Online-Zugang:	ONIX_20221222_9788855186568_91
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