Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, t...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Online |
| Lenguaje: | inglés |
| Publicado: |
Firenze University Press
2022
|
| Materias: | |
| Acceso en línea: | ONIX_20221222_9788855186568_91 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares: Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
- Chapter After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
- Chapter Bodies of Tow and Paraffin
- Chapter After Steinberg: Contextualist Interpretations
- Les Demoiselles d’Avignon and Modernism
- Chapter Epilogue
- Chapter Introduction. An Archaeology of Modernism