Chapter 22 Competing Ontologies of Musical Improvisation

The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...

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Bibliographische Detailangaben

Hauptverfasser:	Smilansky, Uri, Lewon, Marc
Format:	Online
Sprache:	Englisch
Veröffentlicht:	Taylor & Francis 2021
Schlagworte:	Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy
Online-Zugang:	https://library.oapen.org/handle/20.500.12657/52021
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