Chapter 22 Competing Ontologies of Musical Improvisation
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
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| Principais autores: | , |
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| Formato: | Online |
| Idioma: | inglês |
| Publicado em: |
Taylor & Francis
2021
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| Assuntos: | |
| Acesso em linha: | https://library.oapen.org/handle/20.500.12657/52021 |
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Registros relacionados: Chapter 22 Competing Ontologies of Musical Improvisation
- Chapter 28 The Risk of Improvised Music
- The Routledge Handbook of Philosophy and Improvisation in the Arts
- Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
- Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century
- Chapter 37 Improv, Stand-Up, and Comedy
- Approche philosophique du geste dansé : De l’improvisation