Acting the Part

Acting the Part offers a paradigm for understanding how audiences participate in immersive theater, from physical spaces like the Globe in London to digital spaces like social virtual reality. Reading across twenty-first century productions of ancient Greek tragedies and William Shakespeare’s plays,...

Ausführliche Beschreibung

Bibliographische Detailangaben

Hauptverfasser:	Hunter, E.B., Hunter, Elizabeth
Format:	Online
Sprache:	Englisch
Veröffentlicht:	University of Michigan Press 2025
Schlagworte:	immersive theater, audience participation, Shakespeare, ancient Greek drama, tragedy, Globe, London, New York City, twenty-first century, convergence culture, enactive, enactivity, performance, theater, open-world, Sleep No More, Punchdrunk, Macbeth, film noir, Alfred Hitchcock, Stanley Kubrick, mask, McKittrick Hotel, Lady Macbeth, sleuth, worshiper, patron, protagonist, Tempest, Pandora, Finding Pandora X, Tender Claws, Double Eye Studios, Shakespeare's Globe, Emursive, Felix Barrett, Maxine Doyle, Kiira Benzing, Samantha Gorman, Fabulab, Bitter Wind, Marianne Weems, Builders Association, Elements of Oz, Northwestern, Microsoft, HoloLens, Facebook, Meta, metaverse, Quest, virtual reality, augmented reality, extended reality, mixed reality, meta quest, garage at northwestern, washington university in st. louis, washu, spectatorship, audience thema EDItEUR::A The Arts::AT Performing arts thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
Online-Zugang:	ONIX_20251014T103025_9780472905300_4
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