Barbarian Currents

Contemporary art and media art do not exist in separate worlds. In 20th century Brazil, technology was a key element of artistic imagination. Oswald de Andrade, the father of Brazilian ‘cannibal’ modernism, envisioned the Americas as a cradle of a new society populated by technicised barbarians. The...

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Detalhes bibliográficos

Formato:	Online
Idioma:	inglês
Publicado em:	Open Humanities Press 2025
Assuntos:	Brazil; media arts thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
Acesso em linha:	https://library.oapen.org/handle/20.500.12657/103683
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