Theatre in Handwriting

In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study pr...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Hauptverfasser: Schäfer, Martin Jörg, Weinstock, Alexander
Format: Online
Sprache:Englisch
Veröffentlicht: transcript Verlag 2024
Schlagworte:
Online-Zugang:ONIX_20240808_9783839469651_11
Tags: Tag hinzufügen
Keine Tags, Fügen Sie das erste Tag hinzu!
Beschreibung
Zusammenfassung:In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.