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Chapter Santi Centineo “Uno scheletro di teatro”. L’esperienza teatrale di Alberto Burri e il Teatro Continuo por Centineo, Santi

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Diálogos con el lugar. Experimentando nuevas maneras de mirar y re-presentar por Esquinas-Dessy, Jesús, Zaragoza, Isabel

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il convento di San Francesco a Pitigliano: la chiesa che entra nel museo por Zerbini, Marta

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Digital Twin. Experimenting drawings (di-SEGNI) between science and technology in teaching por Osello, Anna, Del Giudice, Matteo, De Luca, Daniela, Ugliotti, Francesca Maria

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Sul rapporto semantico tra dati grafici e numerici in un modello di valutazione del Rischio archeologico por Eramo, Elena

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Hermitage of Saints Anargyroi, Kosmas and Damian: Survey, Analysis, Enhancement por Arena, Marinella, Assimakopoulou, Angeliki, Colistra, Daniele, Mediati, Domenico, Varalis, Yannis D.

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Microrganismos marinos como fuente de inspiración y materia prima de la arquitectura: Richard Neutra y la serie Diatom por Alonso Rodríguez, Marta, Álvarez Arce, Raquel, Galván Desvaux, Noelia, Cendón Segovia, Pablo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter La Città Nuova di Sant’Elia: ricostruzione e simulazione video di due progetti per la metropoli del futuro por Sdegno, Alberto, Masserano, Silvia, Riavis, Veronica

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Disegno: letture integrate per l’interpretazione di conoscenze e competenze pre ingresso al PoliTO por Bocconcino, Maurizio Marco, Zich, Ursula, Pavignano, Martino

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter The representation of the sun in Paulo Mendes da Rocha and Decio Tozzi architectural drawings por Tagliari, Ana, Florio, Wilson

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Dialoghi tra disegno e testo nelle opere di Rem Koolhaas por Valentino, Michele

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Optimising 3D interactive exploration of open virtual enviroments on web, using mobile devices por Leserri, Massimo, Ferreyra, Carla, di Filippo, Andrea, Guida, Caterina Gabriella

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter A Bridge Between East and West: Frank Lloyd Wright’s Drawing as Synthesis of Two Different Cultures por Bernardello, Rachele Angela, Monteleone, Cosimo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Mostrare l’invisibile: il soffitto trecentesco nascosto del convento di Santa Caterina a Palermo por Agnello, Fabrizio, Cannella, Mirco, Geraci, Marco Rosario

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Applicazioni di Motion graphic per la valorizzazione del patrimonio museale del Museo di Arte Orientale di Torino (MAO) por Vitali, Marco, Bertola, Giulia, Ronco, Francesca

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Comporre, inquadrare, comunicare: rappresentazione dell’architettura negli scatti di Basilico, Ghirri e Fontana por Celoria, Ilenio

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Rappresentare il movimento. Grafica bidimensionale e computer graphics tra XX e XXI por Curti, Gabriella

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Labirinto Software, complessità e contraddizioni nel disegno digitale per l’architettura por Vita, Gianluca Emilio Ennio

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter L’ipermodello BIM per gli allestimenti museali: programmazione visuale delle librerie parametriche por Amoruso, Giuseppe, Mironenko, Polina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Enlace del recurso

Chapter Tecniche integrate di rilievo fotogrammetrico e TLS per la documentazione di architetture dipinte por Zerbi, Andrea, Mikolajewska, Sandra

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Enlace del recurso