Ngā hua rapu - reference transcript

Chapter Visualità digitale applicata a metodologie di rilievo integrato. Sinergie collaborative tra sperimentazione e tecnologia mā Perticarini, Maurizio, Basso, Alessandro

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Comparing Top-Down And Bottom-Up Approaches. Maps Of Cultural Landscape Digitisation Processes mā Vedoà, Marco

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter La basilica inferiore di San Crisogono: lettura morfometrica di un’architettura stratificata mā Inglese, Carlo, Barni, Roberto, Griffo, Marika, Gianandrea, Manuela, Romano Gosetti di Sturmeck, Serena, Villa, Guglielmo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il Duomo di Ravenna: rilievo e modellazione dei sarcofagi di S. Rinaldo e di S. Barbaziano mā De Paoli, Massimo, Ercolin, Luca

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il suono della luce. Nuove narrazioni per il campanile di Santa Chiara a Napoli mā Zerlenga, Ornella

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Gli spazi della conservazione del vino: studio e rilievo delle bodegas spagnole mā Scandurra, Simona, Cera, Valeria

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Oppido Mamertina in 3D: dalla fotogrammetria alla ricostruzione digitale mā Gonizzi Barsanti, Sara, Giner, Santiago Lillo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il Rilievo per l’emergenza: il caso di Palazzo Pallotta a Caldarola mā De Cesaris, Fabrizio, Porfiri, Francesca, Senatore, Luca J.

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Dentro il museo: creare esperienze culturali in realtà aumentata mā Ronco, Francesca, Giovannini, Elisabetta Caterina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter 3D digital tools for the archaeological massive artifacts documentation mā Di Paola, Francesco, Morena, Sara, Antinozzi, Sara

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Digi Skills Bsc – Revising Graphic Literacy in Bsc Architectural Design Education through a Software-Based Pedagogic Approach. A Shared Pilot Experience at the Politecnico... mā Cavagliá, Matteo, Ceccon, Lorenzo, Cocchiarella, Luigi, Comunian, Thomas Guido, Fazzina, Veronica, Lazzaretto, Giulia, Martinelli, Alessandro, Morganti, Caterina, Piccinin, Giulia, Porro, Simone, Tarquini, Lorenzo, Turchi, Nicholas

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter Immagine ed emozione mā Torti, Ruggero

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Da Perugia a Genova e poi ancora a Perugia: sui “disegni regolatori” di Galeazzo Alessi mā Belardi, Paolo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Disegnare atmosfere: rifrazione semiotica di una salienza inglobante mā Gay, Fabrizio

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter Il dialogo tra saperi per la comunicazione del patrimonio culturale mā Pileri, Marta

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter Laboratori virtuali: innovazioni digitali per comunicare a distanza mā Chiarenza, Stefano

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter Virtual reconstruction from scan to VR of architecture and landscape of a monumental park mā Bolognesi, Cecilia, Fiorillo, Fausta

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter El plano de Rivera Manescau y las cuatro colegiatas de Valladolid mā Carazo, Eduardo, Moral, Alvaro, Gimeno, Carmen

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Ricostruzione virtuale, VR e AR per la visualizzazione dell’aula provvisoria del I Parlamento italiano mā Spallone, Roberta, Teolato, Chiara, Natta, Fabrizio, Palma, Valerio

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa

Chapter “Di-segno” manuale e “De-sign” digitale, una scelta di comunicazione visiva mā Leandri, Gaia

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
Whiwhi kuputuhi katoa