検索結果 - reference transcript

Chapter Strumenti e procedure per il rilievo metrico speditivo di fronti urbani: informazioni, misure e disegni di massima come ausilio alle abilità artigianali 著者: Bocconcino, Maurizio Marco, Vozzola, Mariapaola

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Dalle “macchine inutili” alle “macchine utili”. Algoritmi generativi per costruire le geometrie della trasformazione 著者: Capone, Mara, Cicala, Angela

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il rilievo SAPR delle residenze reali di vacanza in Albania 著者: Lento, Gennaro Pio

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Interpretazione dei progetti delle fortezze nel Codice Ashb.361 di Francesco di Giorgio Martini 著者: Bertocci, Stefano, Bigongiari, Matteo, Dellabartola, Gianlorenzo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter KID. Il disegno di un nuovo tipo di bicicletta 著者: Bianconi, Fabio, Filippucci, Marco

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Scenari di reverse processing nel rilievo architettonico da nuvola di punti 著者: Rossato, Luca, Maietti, Federica, Balzani, Marcello, Rizzi, Dario, Suppa, Martina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Interpretazioni figurative per leggere e rappresentare le forme urbane di Venezia 著者: Vernizzi, Chiara, Finizza, Chiara

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Psico-grafica. Dialoghi tra le scienze grafiche e le scienze psicologiche 著者: Cicalò, Enrico, Menchetelli, Valeria

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter A graphical analysis of a skewed arched-masonry bridge along the Circumetnea railway track 著者: Garozzo, Raissa, Santagati, Cettina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Strategie digitali per conoscere e valorizzare i modelli di fortificazioni di Luigi Ferdinando Marsili 著者: Bartolomei, Cristiana, Morganti, Caterina, Prati, Davide

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Algunos proyectos de los años setenta de J. L. Linazasoro: el uso de la línea para definir el espacio, la forma y la materialidad 著者: Mendoza Rodríguez, Isaac

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Cultural heritage survey and inclusive representation. The case of Villa Ottolenghi 著者: Eriche, Sara, Pellegri, Giulia

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Iconografia e modelli digitali per una lettura critica del mausoleo di Cecilia Metella a Roma 著者: Inglese, Carlo, Lucchetti, Simone

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Mappare la cultura Fab Lab. Processi e principi per il futuro della Città, dell’Architettura e del Design 著者: Salucci, Antonella, Santoro, Caterina, Vlami, Lida Elisa

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Disegno come dialogo fra arte e architettura. Forma e geometria nell’opera di Zvi Hecker 著者: Ardizzola, Paola, Palestini, Caterina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Designing VR and AR gamifications for cultural heritage educational escape games 著者: Papadopoulos, Spiros, Bourdakis, Vassilis, Mantzari, Elena, Vagelatos, Aristides, Galani, Apostolia, Loukakis, George

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Francesco Fichera e il Palazzo delle Poste per Noto: studio grafico su un edificio mai realizzato 著者: Damiano, Salvatore, Di Mauro, Eleonora

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Sulla qualità geometrica del modello di rilievo 著者: Martinelli, Alessandro, Valenti, Graziano Mario

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Le illustrazioni dei bestiari medievali. Simboli e codici iconografici 著者: Piscitelli, Manuela

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Linguaggi e strumenti per indagare, conoscere e comunicare l’architettura 著者: Acquaviva, Sabrina, Campi, Massimiliano, Di Luggo, Antonella, Falcone, Marika, Ferrara, Mario, Palomba, Daniela

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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