檢索結果 - reference transcript

Chapter Il sogno romantico di Francis Cook 由 Janeiro, Pedro António, Guerriero, Fabiana

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Brand Identity e nuovi media. Il caso studio del Platinum Jubilee 由 Ruggiero, Maria Elisabetta

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Prospettiva e visualità: il volere della ragione, il valore dell’intenzione 由 Romor, Jessica

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Colour project as redevelopment of school environments. Colour and visual identity 由 Salvetti, Francesca

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Modellazione semantica HBIM per la rappresentazione digitale dell’intervento sul patrimonio esistente 由 Raco, Fabiana, Balzani, Marcello, Planu, Fabio, Tasselli, Nicola

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter The graphic sign for historical narration of architecture. The fortifications of the Liri Valley 由 Pelliccio, Assunta, Saccucci, Marco, Miele, Virginia

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Narrazioni e interpretazioni grafiche: proposte per un progetto di identità visiva del Carnevale di Palma Campania 由 Palmieri, Alice

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter La rappresentazione: un dialogo fra disegno e teatro 由 Malagugini, Massimo

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter La rappresentazione del territorio peri-urbano tra city modelling, rilievo e fotografia 由 Cera, Valeria, Campi, Massimiliano, Falcone, Marika, Ferrara, Mario

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Dialoghi fra storia e disegno: il progetto di Enrico Del Debbio per la Casa del Balilla di Enna 由 Damiano, Salvatore

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Tadao Ando: Minimal art y humanidad 由 Agudo-Martínez, Maria Josefa

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Analysis and representation for Digital Humanities: la Mappa Mosaico di Madaba. Digitalizzazione, analisi, decostruzione 由 Ginex, Gaetano, Stilo, Francesco, Pizzonia, Lorella

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Il volto settecentesco del territorio bresciano: il barocco classicista della famiglia Marchetti 由 Pontoglio Emilii, Matteo, Fasolini, Stefano, Contessa, Giuseppe

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter La Forma strutturale: opportunità di articolazione topologica delle mesh geometriche al processo di conoscenza e simulazione in Architettura 由 De Marco, Raffaella

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Arsinoe 3D. La narrazione digitale di uno scavo archeologico 由 Parrinello, Sandro, Dell'Amico, Anna, Galasso, Francesca

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter La cupola della Cappella di Anet: indagine sui tracciati tridimensionali 由 Bartot, Alessio, Calandriello, Antonio

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Le grafie e le visioni in Oltremare di Umberto Di Segni 由 Maggio, Francesco, Regginella, Natalia

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Il rilievo e la rappresentazione del Teatro Sangiorgi di Catania, testimonianza e memoria documentale di usi e costumi del Novecento 由 Galizia, Mariateresa, D'Agostino, Graziana

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Virtual Heritage e musei scientifici: il progetto “Beccari in 3D” per le Collezioni Botaniche del Museo di Storia Naturale dell’Università di Firenze 由 Puma, Paola, Cecchi, Lorenzo, Nepi, Chiara, Nicastro, Giuseppe

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Processi di segmentazione e classificazione di viabilità urbana tra analisi ed accessibilità 由 Martínez Chao, Tomás Enrique

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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