Canlyniadau Chwilio - reference transcript

Chapter Sulla bellezza delle immagini per la narrazione del pensiero architettonico. Riflessioni sui disegni di progetto di Francesco Cellini gan Farroni, Laura, Mancini, Matteo Flavio

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Per una rappresentazione multimodale del testo drammatico: ipotesi e traiettorie di un processo creativo gan Zinno, Angela

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter L’eliminazione delle ombre nelle ortofoto: notazioni teoriche e procedure sperimentali gan Lazzari, Giulia

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Strumenti VPL per la scomposizione geometrico-semantica di figure piane complesse gan Lanzara, Emanuela

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter The project for the “Galleria Oretea” by Giuseppe Damiani Almeyda and other unbuilt “passages” in Palermo gan Girgenti, Gian Marco, Prinzivalli, Caterina

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter La documentazione digitale per la comunicazione del Patrimonio Culturale: il caso dell’Eremo delle Carceri ad Assisi gan Cottini, Anastasia

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Oltre l’apparenza. Comunicazione di un patrimonio sovrascritto gan Attenni, Martina, Ippolito, Alfonso

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Testimonianze di cultura orientale a Napoli: la pagoda della villa Doria d’Angri gan Maglioccola, Francesco, Scandurra, Simona

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
Cael y testun llawn

Chapter Leggi[a]bilità, tra grafica e inclusione gan Castellano, Alessandro

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Beyond the glass house icons: graphic documentation of the correlations between Bo Bardi’s and Johnson’s studios gan Rossato, Luca, Maietti, Federica, Corres Melachos, Felipe, Giau, Gabriele

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
Cael y testun llawn

Chapter Viaggiare attraverso la storia. I disegni giovanili di Viollet-le-Duc gan Casonato, Camilla

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Le pratiche di design e la rappresentazione del benessere nella dimensione umana dello spazio domestico gan Pedone, Roberto, Laera, Rossella

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Raccont_Arte. Linguaggi creativi per l’infanzia gan Fatta, Francesca, Raffa, Paola

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Thematic mapping for the definition of territorial development strategies in the Province of Biella gan Rolando, Andrea, Scandiffio, Alessandro

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Dal ‘progetto assente’ alla ‘architettura interrotta’. Il ruolo della modellazione digitale 3D nell’analisi storico-critica. Un caso di studio gan Centofanti, Mario, Ruggieri, Andrea, Maiezza, Pamela, Tata, Alessandra, Brusaporci, Stefano

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Lo studio dell’iconografia urbana nella cartografia regionale lucana tra il XVIII e il XIX secolo: appunti e riflessioni gan Tolla, Enza, Damone, Giuseppe

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter In dialogo con i musei: innovazione e trasformazione digitale per una nuova visione del patrimonio gan Clini, Paolo, Quattrini, Ramona, Nespeca, Romina, Angeloni, Renato, D'Alessio, Mirco

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Tra reale e virtuale: il medievale castello di Mussomeli gan Di Gregorio, Giuseppe

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Il fulmine e la “reazione nera”: disegno naturale e artificiale dei pattern tra Golgi e Simondon gan Gay, Fabrizio

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
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Chapter Rappresentare la ricerca: metodi e strategie di comunicazione visiva in ambito museale gan Mezzino, Davide, Antonino, Riccardo, Ferraris, Enrico

“...Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. ...”
Cael y testun llawn