検索結果 - reference transcript

Chapter Accumulazioni su Casa Palestra: abitare un’atmosfera 著者: Mucciolo, Laura

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Conservazione predittiva di edifici storici attraverso un sistema basato sull’IoT 著者: Limongiello, Marco, Lorusso, Angelo, Sanseverino, Anna, Messina, Barbara

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Nuove iconografie per la rappresentazione del patrimonio su Instagram 著者: Tomalini, Andrea, Bono, Jacopo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Rappresentazioni vertiginose. Tre esempi: Perec, Lequeu, Douat 著者: Romano, Felice

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter La qualità spaziale del sistema piazzapalazzo: Palazzi Domenico Grillo e Fieschi-Ravaschieri a Genova 著者: Castaldi, Martina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Pier Paolo Pasolini e Giuseppe Zigaina, testi e immagini per la plaquette “Dov’è la mia Patria” 著者: Bistagnino, Enrica

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Image and classicism in housing social life spaces in Recife, Brasil 著者: Janeiro, Pedro António, Loução, Dulce, De Carvalho, Gisele Melo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter I disegni della chiesa della SS. Annunziata dei Catalani a Messina. Tra rilievo e ricostruzione grafica 著者: Altadonna, Alessio, Arena, Adriana

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Le radici del progetto. La rappresentazione dell’architettura. Ipotesi di una grammatica per una nuova semiologia applicata 著者: Falcone, Eugenio Maria, Llodó, Juan Saumell

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il disegno delle gemme sfaccettate. Fonti iconografiche e trattatistica, analisi geometrica, rilevamento, modellazione parametrica 著者: Argenziano, Pasquale, Avella, Alessandro, Pisacane, Nicola

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il rilievo strumentale per la conoscenza analitica di stratificazioni storiche complesse: San Pietro in Vincoli 著者: Calisi, Daniele, Centroni, Alessandra, Cianci, Maria Grazia

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Raccontare i caratteri di un luogo. Dialoghi tra rappresentazione, rilievo e restauro 著者: Boido, Cristina, Davico, Pia

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter H-BIM semantico come strumento di documentazione inclusiva e accesso al Nuovo Catalogo Digitale dei Beni Culturali: il caso studio di Santa Maria delle Vergini a Macerata 著者: Medici, Marco, Ferrari, Federico, Sterpin, Andrea

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Il rilievo di strada tra conoscenza e valorizzazione urbana: via dei Papareschi a Roma 著者: Ippolito, Alfonso, Chiavoni, Emanuela, Colaceci, Sara, Panetta, Vito Rocco, Rebecchini, Federico, Ribichini, Luca, Tarquini, Lorenzo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Mentire allo sguardo: il mimetismo tra arte e scienza 著者: Dotto, Edoardo

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter La digitalizzazione di un percorso conoscitivo. Via del Parco Margherita a Napoli 著者: Martone, Maria, Giugliano, Alessandra Marina

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter La normalizzazione iconografica della pittura vascolare per l’insegnamento. Il cratere attico del Pittore di Providence 著者: Mollica, Sonia

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Visioni in movimento e spazi espositivi di memorie in transito 著者: Ciammaichella, Massimiliano, Liva, Gabriella

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter The Chapel of Sant’Agata in Pisa. 3D surveying, Artificial Intelligence and archival heritage 著者: Croce, Valeria

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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Chapter Ideation, representation and notation. The process of architectural design as a dialogue between the architect and architecture mediated through drawing 著者: Marcos, Carlos

“…Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. …”
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