Ohcanbohtosat - construct evolution

Chapter Transition to Parametric Modelling in Heritage Documentation Dahkki di Filippo, Andrea

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Shapes and way of inhabiting the excavated architecture: knowledge and comparison of the cave dwellings in Bamyan and Matera Dahkki Jafari, Ali Yaser, Calia, Marianna

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter L’ultima dimora di Pino Zac: documentazione e valorizzazione digitale di uno studio d’artista Dahkki Savini, Francesca, Trizio, Ilaria

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute Dahkki Marra, Adriana

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Edu-verse: Designing 3D Learning Environments Dahkki Centarti, Lorena, Guida, Caterina Gabriella, Lorusso, Angelo

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Didattica per il disegno degli elementi costruttivi di opere civili ed edili Dahkki Bocconcino, Maurizio Marco, Garzino, Giorgio, Vozzola, Mariapaola

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter La finca Sansalvador de Jujol, un proyecto en continua transformación Dahkki Crespo Cabillo, Isabel, de Gispert Hernández, Jordi, Moliner Nuño, Sandra

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Il motel Agip di Mario Ridolfi: dall’analisi grafica alla rappresentazione parametrica e immersiva Dahkki Comunian, Thomas Guido, Fazzina, Veronica, Martinelli, Alessandro, Porro, Simone, Schiavo, Antonio

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias Dahkki Amado Martins, Maria Clara

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Lo spazio narrativo nel romanzo: dalla descrizione testuale all’illustrazione grafica Dahkki Attademo, Greta

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura Dahkki Cotana, Francesco

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Disegnare l’invisibile, il paesaggio. Esperimenti con intelligenza artificiale text to image Dahkki Rasetti, Giovanni

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) Dahkki Bertocci, Stefano, Bigongiari, Matteo

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Modeling Historic Architecture: a Reflection on Representation in the BIM Environment Dahkki Maiezza, Pamela, Tata, Alessandra

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Le fortificazioni bastionate capuane. Ricostruzione e rappresentazione degli assetti difensivi Dahkki Cicala, Margherita

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Intelligenza artificiale tra scienza e creatività. Casi studio nelle arti visive Dahkki Battini, Carlo

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Tabulae scalatae: ritratti anamorfici in transizione Dahkki Mancini, Matteo Flavio, Menconero, Sofia

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale Dahkki Gallo, Mara, Scandurra, Simona

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale Dahkki Sorrentino, Nicoletta

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves Dahkki Pagliano, Alessandra

“…‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.…”
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