Canlyniadau Chwilio - construct evolution

Chapter Las ciudades y el tiempo: Transiciones en torno a la Catedral de Burgos gan Bravo, Javier, Carazo, Eduardo, Moral, Álvaro

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Procedere gan Di Paola, Francesco, Inzerillo, Laura, Morena, Sara

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Transizione dal reale al virtuale in ambito medico-sanitario gan Sias, Andrea

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell’opera di El Lissitzky gan Chiarenza, Stefano

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter I disegni del progetto di architettura del Novecento: dall’analogico storico alla transizione digitale gan Faienza, Marta, Farroni, Laura

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Digitalizzazione del patrimonio archeologico: procedure H-BIM per lo scavo della chiesa di San Sisto (Pisa) gan Bevilacqua, Marco Giorgio, Cantini, Federico, Cintoli, Lorenzo, Croce, Valeria, Martinez, Gianluca, Martino, Massimiliano, Piemonte, Andrea, Rechichi, Piergiuseppe

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma gan Rossato, Luca

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating gan Marcos, Carlos L.

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze gan Cioli, Federico, Liviani, Serena

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter La dimensione visuale dei nativi digitali gan Piscitelli, Manuela

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Transizioni comunicative nella narrazione dell’Italia oltre ai suoi confini (1924-1929) gan Zich, Ursula

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter AI Text-To-Image for the Representation of Treaties Texts. The Case Study of Le Vite by Vasari gan Miele, Virginia, Pelliccio, Assunta, Saccucci, Marco

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures gan Apollonio, Fabrizio Ivan, Fallavollita, Federico, Foschi, Riccardo

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Documentazione del patrimonio architettonico: il rilievo della chiesa di San Menna a Sant’Agata de’ Goti (BN) gan Itri, Federica

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Geometric and Parametric Modeling to Identify the Characteristics of Niemeyer’s V Columns gan Florio, Wilson, Tagliari, Ana

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Dalle case di carta alle case di pietra. Modulazioni di Pietro Lingeri sul tema della casa per l’artista gan Banfi, Fabrizio, Iarossi, Maria Pompeiana, Oreni, Daniela

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Il disegno delle transizioni e la rappresentazione della cosmografia dello scudo di Achille gan Cicalò, Enrico

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Comunicazione della città contemporanea: la grafica generativa per le identità visive dinamiche gan De Natale, Irene

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Punti di vista. Gli spazi virtuali tra analogico e digitale gan Armellino, Luca, Conte, Sara, Rossi, Michela

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento gan Santuccio, Salvatore

“...‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction....”
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